Burroughs' "cut up" technique - with digital clips randomly scrambled like pixelated confetti. (Lights! Shapes! Colors! Motion! Money!) And there's nothing terribly adventurous these days about Eisensteinian montage treated as if it were William S. Neither is "Speed Racer" a commercial avant-garde film (though fans of the Wachowski brothers may wish to make such claims), unless you still consider Laserium shows of Pink Floyd's "Dark Side of the Moon" to be cutting edge. "Speed Racer" is not a feature film in any conventional sense - although there is nothing so conventional in today's marketplace as a corporate product based on a campy vintage TV show that is developed for extremely brief exhibition in multiplexes on its way to more appropriate platforms such as DVD and video games, which provide the principal justification for its manufacture in the first place.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |